|서명/저자사항||Vertov, Snow, Farocki : machine vision and the posthuman / David Tomas.|
|개인저자||Tomas, David. |
|발행사항||New York : Bloomsbury, 2015|
|형태사항||293 p. : ill. ; 23 cm.|
First published: 2013. First published in paperback: 2015.
|서지주기||Includes bibliographical references (p. -286) and index.|
|내용주기||Introduction -- Threshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma of the central region. A microhistory of machine vision and posthuman consciousness, circa 1969-1972 -- Basic cultural, technical and formal filiations -- Toward a cosmic rite of passage: external & internal locations and a play of authorship -- Liminality, knowledge production, pedagogy -- From cosmic to posthuman rite of passage -- De La (1969-71): authorship, automation and the posthuman -- A comparative schematic analysis of the automated narrative and its mechanical logic in Vertov's The man with a movie camera (1929) and Michael Snow's De La (1969-1972) -- The public deployment of machine vision and the programmed materialization of the posthuman in collective social space -- Early twenty-first century video documents -- A posthuman future in the age of the algorithm: Farocki's documentation of the operational image and its culture of surveillance.|
|주제명(개인명)||Vertov, Dziga,1896-1954 Criticism and interpretation. -- |
Snow, Michael,1929- Criticism and interpretation. --
Farocki, HarunCriticism and interpretation. --
|Chelovek s kinoapparatom (Motion picture)|
|일반주제명||Experimental films --History and criticism.|
Video installations (Art) --History and criticism.
Film installations (Art) --History and criticism.