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Between stillness and motion : film, photography, algorithms

Røssaak, Eivind

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자료유형단행본
서명/저자사항Between stillness and motion: film, photography, algorithms/ edited by Eivind Røssaak.
개인저자Røssaak, Eivind, ed.
발행사항Amsterdam : Amsterdam University Press, 2011.
형태사항239 p.: ill.; 24 cm.
총서명Film culture in transition
ISBN9789089642127 (pbk.)
9089642129 (pbk.)
9089642137 (hbk.)
9789086942134 (hbk.)
서지주기Includes bibliographical references (p. [225]-233).
내용주기Introduction. The still/moving field: an introduction / Eivind Røssaak -- Philosophies of motion. The play between still and moving images: nineteenth-century "philosophical toys" and their discourse / Tom Gunning -- Digital techniques beyond the "last machine": thinking digital media with Hollis Frampton / Mark B.N. Hansen -- The use of Freeze and slide motion. The figure of visual standstill in R.W. Fassbinder's films / Christa Blümlinger -- The temporalities of the narrative slide motion film / Liv Hausken -- The cinematic turn in the arts. Stop/motion / Thomas Elsaesser -- After "photography's expanded field" / George Baker -- On 'On Otto': moving images and the new collectivity / Ina Blom -- The algorithmic turn. Mutable temporality in and beyond the music video: and aesthetic of post-production / Arild Fetveit -- Algorithmic culture: beyond the photo/film divide Eivind Røssaak -- Archives in between. "The archives of the planet": and montage: the movement of the crowd and "the rhythm of life" / Trond Lundemo.
요약"New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and motion in art and entertainment since the 1850s illuminate and renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation."--Publisher's website.
일반주제명Cinematography --Special effects.
Motion pictures --Aesthetics.
Stills (Motion pictures)
분류기호791.43
언어영어

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